The Scream – Sculpture Based on the Painting

A sculptural interpretation of Edvard Munch’s The Scream, reduced to flowing vertical forms. The figure retains the iconic pose — hands to face, mouth open — but is reimagined with abstract, elongated geometry. The surface structure emphasizes vertical motion and emotional intensity while detaching from realism. Designed as a freestanding object, the piece balances iconic imagery with sculptural minimalism.